Should you come upon an empty sarcophagus, consider placing it in your grand garden and planting it with seasonal color. This photo was taken September 2007 in the gardens of Villa Carlotta on Lake Como. I think. I’m not sure, but I am pretty sure. If the date and time on my digital camera can be relied upon, then this was taken in the gardens of Villa Carlotta.
In September 2004, I joined The Institute of Classical Architecture & Classical America on an four day tour of the Berkshires’ aging “cottages” of the Gilded Age. Bunny Williams, as a member of the board, was gracious enough to host all of us at her home and gardens in Connecticut. Unfortunately, the photos I took are all outdoor shots. I don’t remember why. Maybe I thought it would be rude to photograph the interiors. Maybe we were told not to. I just don’t remember. I won’t be posting all of these photos today. Instead they will be used at different times in the future to illustrate a point.
(above) Note how the building’s color allows it to blend in with its environment. When it came to choosing colors for my garage, my architect gave me two suggestions. The first one being to paint it the same color as the wood boards of my house (cream), or as the second choice, allow the building to blend in with its natural surroundings (too nice of a description for my unsightly backyard). I chose the latter. Now, after going through all these old photos, I realize that Bunny chose the same color concept for her outbuildings. A lucky and happy coincidence for me.
The last post linked you to Wikipedia’s page on the Visconti crest. Since that post was strictly about fig ivy, I didn’t want to include the above photo. So I’m showing it to you now. In it, you can see how the Visconti crest is interpreted on Villa Balbianello’s balustrade. It seems to me that the artists, rendering the crest in both locations, had problems creating the baby, and both figures ended up resembling a “man” child. Which is probably a good thing.