Just Because

Sparkly Dinner Setting

I just realized that none of the four Venetian wine glasses made it into this frame. The following photos will prove that the proper wine goblets are there. What you’re seeing here are the water tumblers.
I just realized that none of the four Venetian wine glasses made it into this frame. The following photos will prove that the proper wine goblets are there. What you’re seeing here are the water tumblers.

I had real guests over last night for my first dinner party in my newly redesigned dining room. The best part about the preparations was that one of the guests was doing all the cooking, allowing me to go all “Martha Stewart” with the ambience and table setting. The key to the look was the wonderful domed putz castle purchased through Anthropologie, which I then placed on an antique glass cake stand. By setting this whole arrangement onto a silver charger, I was able to maximize illumination by placing glass votives on the charger’s level rim.

Since I have already written about the porcelain,Venetian goblets, linen, and sterling flatware, I will instead explain the reason for the crazy water glasses. They’re vintage highballs featuring turquoise and gold Persian horsemen waving mallets in a lively game of polo. Over the past twelve years, I have managed to break most of my larger Venetian goblets and lacked two to make four complete place settings of one water and one wine goblet each. And I keep forgetting to order more from the original Murano source, Vetreria Colonna Fornace. Hence the crazy fun tumblers. To see the complete table setting, click the link below.

Film: Design & Architecture

I Am Love (style)

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The clothes and accessories. Produced by Silvia Venturini Fendi of the famous Fendi family, the film could be considered fashion porn. The leading star, Tilda Swinton, was entirely dressed by Jil Sander’s Raf Simons. The house of Fendi dressed the men and also provided extraordinary furs for the magnificent Marisa Berenson, who plays the perfectly put-together mother-in-law with a preference for vintage ’70s furs. In fact, all of the Recchi women favor a classic look. The impression is that clothes in this family are passed down, not shopped for. Tilda, in an interview, described the choices as an expressive wardrobe. “There were moments when, for her to wear a red dress at the point which she falls in love, there’s a control one can expect on the palette of the film if one works in that way.”