Film: Design & Architecture

Le Voyage dans la Lune (1902)

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A Trip to the Moon is a silent film and the creation of French illusionist and filmmaker ‪Georges Méliès‬, who I wouldn’t have known about if I hadn’t seen Martin Scorsese’s 2011 film Hugo. While watching Scorsese’s film, I had no idea that Ben Kingsley’s character was an accurate historical depiction of France’s cinema legend ‪Georges Méliès‬ and that most of the antique film frames used in Hugo were excerpts from ‪Méliès‬’ surviving and reconstructed films. Those images were so wonderful that I couldn’t resist researching this wonderful legend and his films.

For the next four paragraphs, I will be giving you the story of how this once-lost film was reconstructed. The technical details fascinate me. If you want to know more about ‪Georges Méliès‬, I would suggest viewing Scorsese’s film Hugo and then learn more by reading about Méliès here.

Film: Design & Architecture

The Age of Innocence (part two)

In Edith Wharton’s day, those who had extensive collections of silver flatware patterns, a catalog such as this one, would have been extremely helpful in planning a dinner party.
In Edith Wharton’s day, those who had extensive collections of silver flatware patterns, a catalog such as this one, would have been extremely helpful in planning a dinner party.

This film is a visual feast of details with the dining experience playing a major role. From the table settings to the multiple courses, Martin Scorsese has meticulously recreated the lavish displays of Old New York society in the late Victorian era. When comparing Edith Wharton’s text with the film’s visuals, I was unable to identify the porcelain, silver, and crystal. Perhaps someone out there, who has happened to stumble onto this blog, will be able to identify some of the pieces and leave a comment with clues to their identity. Otherwise just enjoy the visuals.