Tag: Celia Eberle

Contemporary Art

Saturday’s Visual Moments (part 2 of 2)

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Image: eteam, still from 'Track One' (2011), video, 1:37 min. 'Co- Re-Creating Spaces' will present eteam’s related, participatory project with live video, 100 meters behind the future, in its U.S. premier.
Image: eteam, still from ‘Track One’ (2011), video, 1:37 min. ‘Co- Re-Creating Spaces’ will present eteam’s related, participatory project with live video, 100 meters behind the future, in its U.S. premier.

Co- Re-Creating Spaces, a group exhibition curated by Carolyn Sortor and Michael A. Morris, will survey how artists are questioning and subverting existing contexts or spaces and contributing to their re-imagining and re-creation. The exhibit recognizes that “reality” itself can be both art medium and art object, and speculates how developments in the virtual and the actual might affect one another.

The opening reception is Saturday, November 17, 8-10 pm, at CentralTrak: The UT Dallas Artists Residency, 800 Exposition Avenue. The exhibition will run from November 17, 2012 to January 5, 2013.

The exhibition will feature videos, performances, installations, and other works by: Morehshin Allahyari; Nadav Assor; Amy Balkin; Aram Bartholl; Zanny Begg & Oliver Ressler; Linda Bilda; Irina Botea; Martha Colburn; Michael Corris; eteam; Cao Fei; Yevgeniy Fiks, Olga Kopenkina, & Alexandra Lerman; Institute for Wishful Thinking; Greg Metz, Kristin Cochran, & Cassandra Emswiler; Martha Rosler; Dread Scott; Yes Lab/Steve Lambert; Karen Weiner/Celia & Frank Eberle; The Yankee Doodles and more.

Contemporary Art

Celia Eberle at Plush Gallery

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'The Furies,' 2011, alabaster, agatized coral, found objects, 6.5 inches x 3.5 inches
‘The Furies,’ 2011, alabaster, agatized coral, found objects, 6.5 inches x 3.5 inches

Ohhhh, I wanted to possess The Furies in a bad way, but was too late. Some lucky individual beat me to it, and as I write this, has probably taken possession of them and is in the process of mounting them in their new home. This makes me unhappy.

I first met Celia Eberle at Karen Weiner’s The Reading Room, but my first encounter with her work was at the Beasts and Bunnies show at The MAC. While The MAC’s show was a collection of her past and some present work along with the works of three other artists, this show at Plush Gallery was her most recent creations.

Contemporary Art

Art Trolling at The MAC (part 1)

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'Call and Response,' 2011. Collaborative installation detail.
‘Call and Response,’ 2011. Collaborative installation detail.

Beasts and Bunnies in the main galleries. I couldn’t help but start my visit backwards and clockwise. The suggested path was to start in the large gallery and work my way around counter clockwise. But with all the tick-tocks, whirling, shadows, and landscape features, the collaborative installation in the square gallery was begging me to wander through it first before moving on to the larger gallery. This installation is an indoor winter wonderland, but with spots of bright yellow, and the sound of creature activity, I could feel that spring was being promised. Since it’s impossible for me to capture the complete experience with photos and words, I strongly suggest you visit the show physically at The MAC. But first, read on. I have more to offer about this show.

Contemporary Art

Beasts and Bunnies

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At The MAC (The McKinney Avenue Contemporary)
January 8 through February 12, 2011

Opening Reception with the Artists:
Saturday, January 8, 5:30–7:30 pm

Helen Altman, Frances Bagley, Celia Eberle, and Margaret Meehan in the large and square galleries. This group exhibition brings together these four artists to investigate “the animal” both literally and metaphorically. Helen Altman, Frances Bagley, Celia Eberle, and Margaret Meehan have all worked using animal imagery and share a similar sensibility. Through sculpture, painting, photography, works on paper, and video these artists each push and prod at the boundaries between nature and culture as well as the assumed distance between animal and human behavior. In addition to individual works by each artist, the exhibition will feature a collective installation titled Call and Response.