A film that opens with a valentine doily. A 1937 screwball comedy starring Irene Dunne and Cary Grant, The Awful Truth was one of the first, if not the first, of a series called “comedies of remarriage”, where separated or divorced couples rediscover that they are still in love with each other. In this film the interior sets are rich, varied, and will never disappoint.
4 thoughts on “The Awful Truth”
Margaret Downs-Gamblesays:
This is beautifully explored, Patsy Ann. I thought you’d like to know that my son’t loft in L.A. is a converted office building from the period. The renovators retained the marble walls and the opaque (wavy) glass doors. It’s genuinely lovely.
I’m guessing that “The Philadelphia Story” is part of this genre of film. Cary Grant must have often been cast in this sort of comedy. Interesting. I think of him as being perfect in “Notorious” with Ingrid Bergman, but also perfect in “Philadelphia Story.” Again, so gorgeous interiors.
Thanks for this!
Patsy Annsays:
I’m so glad your son’s loft is in a preserved building. Someday I would love to see pictures (colored ones) of it. Missing color information is the only negative thing about these old films.
And yes, this was the film that launched Cary Grant into the romantic comedy genre.
A delightful (and so visually educated) analysis! Your writing style is lovely, and your eye is excellent.
I look forward to more of these! What’s your position on Palm Beach Story?
Patsy Annsays:
Thank you very much, Kathy. I don’t recall having seen Palm Beach Story. My process is to see the film on TCM, and if it has really cool sets, I then rent it from Netflix. After that there are numerous boring software steps I must go through in order to capture individual stills. I will add Palm Beach Story to my Netflix rent list and also make sure I don’t miss it on TCM when it’s shown in the future.
This is beautifully explored, Patsy Ann. I thought you’d like to know that my son’t loft in L.A. is a converted office building from the period. The renovators retained the marble walls and the opaque (wavy) glass doors. It’s genuinely lovely.
I’m guessing that “The Philadelphia Story” is part of this genre of film. Cary Grant must have often been cast in this sort of comedy. Interesting. I think of him as being perfect in “Notorious” with Ingrid Bergman, but also perfect in “Philadelphia Story.” Again, so gorgeous interiors.
Thanks for this!
I’m so glad your son’s loft is in a preserved building. Someday I would love to see pictures (colored ones) of it. Missing color information is the only negative thing about these old films.
And yes, this was the film that launched Cary Grant into the romantic comedy genre.
Thanks for visiting, Margaret
A delightful (and so visually educated) analysis! Your writing style is lovely, and your eye is excellent.
I look forward to more of these! What’s your position on Palm Beach Story?
Thank you very much, Kathy. I don’t recall having seen Palm Beach Story. My process is to see the film on TCM, and if it has really cool sets, I then rent it from Netflix. After that there are numerous boring software steps I must go through in order to capture individual stills. I will add Palm Beach Story to my Netflix rent list and also make sure I don’t miss it on TCM when it’s shown in the future.